
Melba was my card partner for Hand and Foot whenever we visited Uncle Carl. My reference was a photograph I took of her as she sat across the card table.

First thing every morning my Uncle Carl would get his daily newspaper and, with the help of his dictionary, would work on the daily crossword puzzle. At the same time his friend Melba would be diligently filling in the words on her copy of the puzzle. At an appointed time, the phone would ring and Uncle Carl and Melba would compare notes and most likely complete the puzzle of the day. At least once a year we would fly to Pittsburgh and stay with Uncle Carl. I took a picture of him working his puzzle; I thought it interesting that the shirt he wore that day had the initials TN on it. Those were the initials of his older brother, Tom Noll. Each time I look at this painting I think of Uncle Carl and Dad! 


My sister-in-law, Charlotte, wished that she had a window in her laundry room. On my next visit I packed my paints and brushes in the suitcase. As she left for work I asked her what she would like to see when she looked out the window. "A bird" she answered. My brother, Tom, and I got out the yardstick and masking tape and before long we had established a large window. This was the first time I painted on a wall and I kept telling myself we could always get some wall paint and cover it up if she didn't like it. Several years later they moved from this house and I often wonder if the new occupants enjoy the laundry room window.



This is my beautiful Mother, Ida. My reference for this painting was a studio portrait in sepia tones. Dad married Ida Eckberg, a blond Swedish girl from Irwin, Pennsylvania. This photo was probably taken when they were first married in 1927. Until I was born 10 years later Mom would often travel with Dad and the band. She told us how she would work as a hat check girl or a cigarette girl in the clubs where the band was playing.
My Dad, Tommy Noll, was a drummer. He loved jazz, especially Dixieland. My reference for this painting was a black and white publicity photo. Back in the 20's and 30's the big bands travelled in the band bus playing the clubs and nightspots around the country. The drum sets were very large in that era, especially the bass drum. The small copper colored drum was his tom-tom.watercolor 15x19

watercolor 8x8
I could not help but be inspired strolling from gallery to gallery along the ancient streets of Santa Fe. We drove through residential areas and with my window down and my camera ready, I snapped pictures of interesting doorways and courtyards along the route. The original painting was more vibrant than this photo.watercolor 11x14
This is a painting of Mel Torme' and I can hear him crooning Blue Moon each time I look at it. I like to think that he is at a rehearsal and as soon as the tune ends he turns to the band and says, "Good rehearsal, guys." I feel I've overworked this painting. That is one of the hazards of watercolor. I want to paint him again and simplify the background some.
What can I say? Let's party. Again, very loose, lots of color. A fun way to paint. This painting was purchased by a dear lady that had been recently widowed. She purchased this on Valentine's Day as a gift to herself. She said music and art were helping her through her grief. The painting hangs on the wall behind her husband's chair.

watercolor 10x13
The first watercolor class I took at Scottsdale Artist's School was for beginners. First instruction: This end of the brush goes in the water. The instructor, Lewis Barrett Lehrman, had all the students paint this still life set up. Obviously, I was not in a good position in the class for composition. At the critique Lew said, "Marilyn is not afraid of color." I don't know if this was a plus or minus.
watercolor 10x13
